Jean Beraud
1848-1935 French Jean Beraud Galleries Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870. Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894. Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes. Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale. Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.

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Jean Beraud Les Grands Boulevards Le Theatre Des Varietes oil painting


Les Grands Boulevards Le Theatre Des Varietes
Date between 1875(1875) and 1890s (B x raud's productive period) Medium Oil on canvas Dimensions 39 x 55 cm (15.4 x 21.7 in) cjr
Painting ID::  86349
Jean Beraud
Les Grands Boulevards Le Theatre Des Varietes
Date between 1875(1875) and 1890s (B x raud's productive period) Medium Oil on canvas Dimensions 39 x 55 cm (15.4 x 21.7 in) cjr
   
   
     

Jean Beraud Boulevard des capucines oil painting


Boulevard des capucines
oil on canvas Dimensions 50.8 x 73 cm (20 x 28.7 in) cyf
Painting ID::  89608
Jean Beraud
Boulevard des capucines
oil on canvas Dimensions 50.8 x 73 cm (20 x 28.7 in) cyf
   
   
     

Jean Beraud Parisienne Au Rond-Point Des Champs Elysees oil painting


Parisienne Au Rond-Point Des Champs Elysees
oil on canvas Dimensions 40.6 x 27.3 cm (16 x 10.7 in) cyf
Painting ID::  90508
Jean Beraud
Parisienne Au Rond-Point Des Champs Elysees
oil on canvas Dimensions 40.6 x 27.3 cm (16 x 10.7 in) cyf
   
   
     

Jean Beraud Le Cafe de Paris oil painting


Le Cafe de Paris
Medium oil on panel Dimensions 55.3 X 35 cm (21.8 X 13.8 in) ttd
Painting ID::  92381
Jean Beraud
Le Cafe de Paris
Medium oil on panel Dimensions 55.3 X 35 cm (21.8 X 13.8 in) ttd
   
   
     

Jean Beraud A Swordswoman oil painting


A Swordswoman
oil on canvas Dimensions 40 x 32.4 cm (15.7 x 12.8 in) cjr
Painting ID::  93830
Jean Beraud
A Swordswoman
oil on canvas Dimensions 40 x 32.4 cm (15.7 x 12.8 in) cjr
   
   
     

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     Jean Beraud
     1848-1935 French Jean Beraud Galleries Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870. Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894. Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes. Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale. Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.

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